Foundation Pack
For solo operators and small crews
Save 24%£249
£189
per course
- Studio design and camera control modules
- Downloadable floor plans and rack sheets
- Lighting plot templates
- Email support on course material
- Quarterly content refresh
Broadcast and live production course
reportaza is a UK resource on studio design, camera control, lighting, sound and the workflows that keep television networks and live events on air.
We care about your data and only send course updates.
Inside the course
Course plans
Choose a plan, send us a quick enquiry and we will confirm your start date and invoice details.
For solo operators and small crews
Save 24%£249
£189
per course
For network and live event teams
Save 30%£499
£349
per course
Six focused modules written for people who build, run and light real television and live production spaces.
Floor plans, sightlines, cable routing and acoustic planning for new and refitted studios.
Robotic heads, CCUs, shading and remote operation across multi-camera productions.
Key, fill and background arrangements, colour temperature and LED grid control.
Microphone choice, mixing, comms and loudness compliance for broadcast delivery.
Rundowns, gallery roles, ingest and hand-offs that keep a busy newsroom moving.
Outside broadcast planning, redundancy, show calling and crew coordination.
Get early access to new lessons, studio checklists and lighting templates. Stay informed about what is changing in broadcast production.
We care about your data and only send course updates.
12 weeks
Guided programme length
30+
Downloadable checklists
Always on
Learning portal access
1:1
Instructor feedback sessions
Why this course
One structured resource for the people designing, operating and managing professional audiovisual production.
Layout principles for sets, galleries and technical areas so every position works from day one.
Understand remote heads, shading and presets so a small crew can run a large show.
Build reliable lighting arrangements for presenters, panels and wide establishing shots.
Practical mic placement, gain structure and mixing habits for speech and live music.
Map hand-offs between newsroom, gallery and playout, and cut the delays between them.
Redundancy, comms and show-calling routines that protect the broadcast when things change.
From the gallery
Every lesson is built around real gallery and floor scenarios: what the director asks for, how the vision mixer responds, and how engineers keep the signal chain clean under pressure.
Explore the services
If you have questions about the course, your studio or your team, send us a message and we will answer your question.
Contact us